Se presenta una reseña del libro "Queering Acts of Mourning in the Aftermath of Argentina’s Dictatorship:The Performances of Blood" en la cual se analizan sus capítulos para entender la particular concepción de lo queer que sustenta metodológicamente el recorrido propuesto por su autora, Cecilia Sosa. También se hace una lectura de la diversidad de materiales artísticos que la hipótesis del libro engloba, en particular del vínculo entre performance y afectividad.    

 

Abstract

A review of the book "Queering Acts of Mourning in the Aftermath of Argentina's Dictatorship: The Performances of Blood" is presented here. Its chapters are analyzed to understand the particular conception of queer that sustains methodologically the route proposed by her author, Cecilia Sosa. It also makes a reading of the diversity of artistic materials that the book hypothesis encompasses, in particular the link between performance and affectivity