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Spanish Version: Los discursos lacanianos y las dramaturgias. Buenos Aires/Los Angeles: Argus-a Artes y Humanidades/Arts & Humanities, 2022
Abstract
In this book, the four Lacanian discourses (of the Master, of the University, of the Hysteric, of the Analyst) and the capitalist pseudo-discourse are presented, from which different readings of the four dramaturgies (of the author, of the director, collective creation, of the actor) are explored. In each case, for each discourse and for each dramaturgy, modes of methodological and technical work are conceptualized, in addition to the various power strategies involved in each discourse. Each dramaturgy and each discourse is compared with theatrical praxis, establishing confluences and divergences with said dramaturgies.
The book adds as an addendum an essay on collective creation as Platon Michailovic Keržencev (1881-1940) approached it in the moments after the triumph of the Russian Revolution. This addendum configures a complement to the discussion on collective creation in Latin America, as it is worked on this the book based on Lacanian discourses.
Keywords: Lacan, discourses, dramaturgies, Latin America, collective creation
Resumen
En este libro se presentan los cuatro discursos lacanianos (del Amo, de la Universidad, de la Histérica, del Analista) y el seudo-discurso capitalista, a partir de los cuales se exploran diversas lecturas de las cuatro dramaturgias (de autor, de director, creación colectiva y de actor). En cada caso, para cada discurso y para cada dramaturgia, se conceptualizan modalidades de trabajo metodológico y técnico, además de las diversas estrategias de poder implicadas en cada discurso. Se coteja cada dramaturgia y cada discurso con la praxis teatral, estableciendo confluencias y divergencias con dichas las dramaturgias.
El libro agrega como adenda un ensayo sobre la creación colectiva tal como Platon Michailovic Keržencev (1881-1940) la abordó en los momentos posteriores al triunfo de la Revolución Rusa. Esta adenda configura un complemento a la discusión sobre la creación colectiva en América Latina, tal como se la trabaja en el libro a partir de los discursos lacanianos.
Palabras claves: Lacan, discursos, dramaturgias, Latinoamérica, creación colectiva
Contents
Foreword
Introduction
From Saussure to Lacan, from sign to signifier
What is a discourse?
Some eloquent examples of theatricality and discourses
Lacan’s four discourses
The Discourse of the Master
The discourse of the Master and the dramaturgy of the author
The Discourse of the University
The discourse of the University and the dramaturgy of the director
The discourse of the University and actor training
The discourse of the University and collective creation
The Discourse of the Hysteric
The discourse of the Hysteric and collective creation
The discourse of the Hysteric and the dramaturgy of the director
A brief excurse on savoir
The pseudo-capitalist discourse
The Discourse of the Analyst
The discourse of the Analyst and the dramaturgy of the actor
The dramaturgy of the Actor and collective creation
The dramaturgy of the actor
and the theater of intensities or multiplication
Interlude on psychodrama
Theater of intensity or multiplication
Bibliography
Addendum
Collective creation and creative theater
from the perspective of Platon Michailovic Keržencev
and the Russian Revolution
Bisac categories
PERFORMING ARTS theatre general
PSYCHOLOGY Movements Psychoanalysis
DRAMA Caribbean and Latin American